Defining Music From Music Theory - UK Essays.
The theremin was a key feature of the BBC Radiophonic Workshop, which produced the theme music for several BBCtv programs. Other pages. Terpsitone; Images for kids. Alexandra Stepanoff playing the theremin on NBC Radio (1930) Block diagram of a theremin. Volume control in blue-grey, pitch control in yellow and audio output in red. Robot playing Theremin. The components of a modern Moog.
Music From the Ether is nicely divided between historic theremin works from the 1930s and ’40s and recent music, most of the latter by Kavina herself. If you expect either creepy space-age.
The following diagram is the Theremin music instrument effect. A guitar or instrument amplifier is an ideal companion unit for the theremin; either one allows bass or treble boost, as desired, and fuzz (distortion) or reverberation (if these features are incorporated in the amplifier”s circuit). Simply provide a suitable cable plug and connect the theremin”s output cable to the amplifier.
Leon Theremin led a life of flamboyant musical invention laced with daring electronic stealth. A creative genius and prolific inventor, Theremin launched the field of electronic music virtually singlehandedly in 1920 with the musical instrument that bears his name.
The theremin is built like a radio receiver, with an antenna protruding from the right and a metal loop on the left. The mus. is prod. by 2 high-frequency circuits, employing oscillating (thermionic) valves, one being at constant frequency while that of the other is altered when the player moves his hand through the air in front of the antenna. The resultant oscillation is called.
Theremin brands There are different theremin brands to choose from, some of which include the following: Moog Etherwave Theremin - This brand has different pitch octaves and is designed with pitch, volume, and waveform controls. Cosmic Sound Effects - This brand designs theremins for cosmic sound production. You can add delay, distortion, and.
The Double Revolution of the Theremin: Musical Instrument Interface Innovation in the Ages of Analog and Digital Electricity (The following student essay was written for a one-semester seminar on Technologies of Performance led by Prof. Sterling Beckwith, Graduate Program in Music, York University, Toronto, Canada in the Fall of 1997.).